The scarf seems almost deceptively ordinary.

Worn around the neck, long or short, knitted or woven, made from coarse wool, fine cashmere, silky velvet, and countless other materials, it is an essential accessory in our wardrobe. In 1927, Isadora Duncan, the legendary pioneer of modern dance, tragically died when her scarf became entangled in a car wheel, strangling her. It remains a haunting symbol of an accessory that, like Isadora’s dance, is free and fluid, at the mercy of the wind. We wear scarves in countless ways, and they often inspire a series of gestures—our fingers instinctively adjusting them. A scarf can become a fetish object, retaining a beloved scent, a loyal ally against the winter cold, or a vibrant stroke of colour to brighten our outfits.

To read the full curators’ notes, scan the specific QR code for this piece before turning around and moving towards the section of the extraordinary, featuring Adam Elyassé’s garment, which resembles a large, dark tent. You can’t miss it.